Yes, it’s beginning to look a lot like that time of year! A very fun month full of nostalgic holiday music, scheming and shopping for our dear ones, and get-togethers that all seem to happen on the same day. This year it’s Saturday the 12th. You?

ugly-xmas
Here’s a little Christmas roundup from the blog.

A few years ago, genius designer Holly Mabutas put up the most darling free Santa pattern over on her blog. It’s still there, go check it out!

And here’s a photo tutorial of how I handled a large piece of white appliquéd over other fabrics, without shadow-through. The hard sauce on the Plum Pudding!

Holiday cheers,
Kay
By Kay Mackenzie
Kay’s Etsy Shop

First of all, thank you so much to everyone who responded with warm enthusiasm for my foster kitten stories. There’s a followup… but I’ll save that for later.

Several of the projects that appear in my book A Merry Little Christmas to Appliqué are on loan to my pal Debby at the Quilter’s Faire in Palm Desert, California.

When a traveling quilt-show vendor specializing in Christmas expressed an interest in carrying the book, I thought I’d make another version of the project that’s the most popular one… Plum Pudding!

The original.

The original.

It was loads of fun rummaging for the fabrics, and also a little scary. It’s been awhile now since the book came out, but in the scrap bag I found a few leftover squares of the original fabrics used for the patched background! I also had enough of the red sashing and all three fabrics that were used for the puddings!

In my files, I even found the original pattern and tracing-paper overlay! Since the pattern is blown up 200%, this saved me a step. That’s why I keep stuff. You never know.

plum-patterns

Once I’d pulled all the fabrics, I started thinking about the great expanse of white that makes up the ‘hard sauce’ part of the pattern. It would be covering a weensy bit of the brown, and also the patched background, and I didn’t want those to shadow through.

Usually, for machine appliqué I would use a double layer to create a light-over-dark motif by first fusing two layers of fabric together and then using that composed fabric to create the motif. This time, the area was so large, and I didn’t want the stiffness from the extra fusible. I thought I’d try something new.

I started out by making two motifs just the same, both with the inside of the fusible web cut out.

Back

Back

Front

Front

I removed the paper backing from both, placed one on top of the other on a nontick appliqué pressing sheet, and tacked them together with a hot iron.

double-layer

If there are are inconsistencies in the two shapes, just use your scissors and trim them to match.

A little haircut needed here.

A little haircut needed here.

All trimmed and tidy.

All trimmed and tidy.

Now the motif is double-layer and with no fusible web in the middle to make it stiff! Try it! It worked for me.

Stitched block.

Stitched block.

Finished project: Plum Pudding 2

Finished project: Plum Pudding 2

Until next time,
Kay
By Kay Mackenzie