Apr
20
Lovely Hearts
Filed Under Patterns | Comments Off on Lovely Hearts
Two of my books with Martingale have gone out of print. That’s bittersweet. Sad face, there aren’t any more copies of the books. Glad face, the rights have reverted to me and I can now develop and offer patterns using the designs! :)
The very first pattern that I worked on was the “Love” block from Easy Appliqué Blocks. It’s one of my favorite blocks from the book so it was an easy choice to go first.
Here’s the new pattern, Lovely Hearts.
It’s a 16 x 16 mini-quilt that can go up on any little wall space, proclaiming your affection for the world’s best emotion. I used raw-edge fusible machine appliqué, but of course you can use your own favorite method.
Until next time, with more!
Kay
By Kay Mackenzie
Kay’s Etsy Shop
Jun
11
Colouring *in* the lines
Filed Under Blanket stitch, Color, Embroidery, Fabrics, Fusible web, Guest posts, Hand appliqué, Photo tutorials, Raw edge | 3 Comments
Sarah answered the call! Recently, when I put out a call for contributions to the blog, regular reader Sarah Vee of Ontario, Canada, got in touch right away. I’d delighted to turn the blog over to her today for a terrific guest post about blanket-stitch appliqué. Go Sarah!
Sarah Vee of Sew Joy, whose motto is “I have found happiness in making quilts – and joy in sharing my quilt making.”
Sarah: I have been a patchworker for most of the time I have been quilting. Almost 14 years now! I shied away from the “A” word for many years, even though some of the first quilts I fell in love with were in the Baltimore Album style.
Eventually I started to try it a block at a time. I made a wedding wallhanging with one large appliqué block –- no one could really tell if I had left anything out — and I did, almost half of the leaves!
When Kay’s book Easy Appliqué Blocks: 50 Designs in 5 Sizes came out, I was lucky enough to win a copy. Who could resist the possibilities! Around the same time, my sister sent my daughter a container that held all of her embroidery floss from doing cross stitch for many years. She was putting it aside to focus on quilting.
My daughter never had a chance! I claimed the box of thread like it was my first box of 64 crayons! I was no longer daunted by the delicacy of appliqué – I had colour on my side.
I put my first blocks from Kay’s appliqué book into a larger pieced quilt for one of my nieces. Instead of having my stitches blend in with my fabrics, I outlined them in black like a colouring book.
I use the blanket stitch because it’s easy (once you get the hang of it). You can change the size of the stitch to work on any piece, and you can work it by hand or machine. You can use it to secure pieces that are fused and also ones that are not.
I’m by no means an technical expert on supplies or technique. I use what I have, look at lots of pictures – and try stuff. Just take a quick look at these photos I took while working on my latest quilt. You’ll see how I made the colours and blanket stitch work for me to create my Bunny Lady quilt.
The basics: I’m using DMC embroidery thread. I use two strands because that seems to give the thickness I need to cover the edge of the fabric. I use a needle that works for me — not sure if it’s the ‘right’ one. The eye isn’t so small I can’t see to thread it, but not so big that it leaves a hole when going through my quilt top. It’s a medium-length needle so that the thread doesn’t glide out of it too easily.
Tip: Use a fairly long strand of thread. You don’t want to re-thread the needle any more times than you need to – just don’t make it so long that it tangles after every stitch (this isn’t quicker – trust me).
To start: Bring your thread up from the back right at the edge of your piece to appliqué. The length of the next stitch determines the length of your blanket stitch – how far it goes into your appliqué. Put your thread into the fabric and bring it back up almost right on top of where you started.
On the leaves I used smaller stitches closer together because I had to turn a lot of corners, and the leaves are fairly small. On the carrots, I took larger stitches because there was more open space in the middle of the appliqué pieces.
You work this stitch counterclockwise (at least I do because I’m right handed). Hold your thread across the edge of the piece working to the left.
From where your needle just came up, take a stitch down and to the right that lines up with your first stitch into the appliqué. Bring your needle up at the edge of your appliqué and go over the thread you are holding in place. Pull the stitch snug (but don’t make the piece pucker).
This space defines how close together your stitches will be. On smaller pieces, or going around a corner, you probably want them closer together.
Keep going until you’re done, or almost out of thread! Make sure you leave a long enough tail so you can make a knot on the back.
You can see how I had fun with colour. I used different shades of orange on my carrots. Changing the colours made it more fun to go around so many carrots –- and also gives the up-close viewer a visual treat. The carrots in the border were not fused down, just pinned in place until I secured them with the blanket stitch.
The bunnies and carrots in the quilt top were fused, then stitched. I used bright, fun colours on them too. I used a fairly large stitch on the bunnies so it would be more visible.
I hope this was helpful and encouraging. I stared at many magazine diagrams and pictures of beautiful quilts before I finally tried my hand at appliqué and the blanket stitch. You’ll never know the possibilities until you try. Thanks Kay for providing so many possibilities with your designs and inspiration-packed blog. I’m looking forward to including appliqué on many more quilts.
With Joy,
Sarah Vee
www.sewjoy.blogspot.com
Kay: Thanks a million, Sarah, for your article sharing the joy of appliqué! You’ve gone from “A” word avoider to appliqué enthusiast, because you found your method! I love those patched bunnies… reminds me that I have some randomly pieced hunks of patchwork sitting in the UFO pile awaiting their final destiny! Hmm…
FYI, Sarah is hosting a Placemat Party Blog Hop from Monday, June 28, to Friday, July 2. Visit her blog to find a new hostess each day celebrating the release of Sarah’s first pattern, “Eat with JOY! Placemats”. There will be prizes, fun, refreshments, and hostess-gift ideas for summer parties. Sounds like summer fun!
Until next time,
Kay
By Kay Mackenzie
Nov
26
The big things
Filed Under Hand appliqué, Holiday, Needleturn, Photo tutorials | 2 Comments
My husband of 20 years, Dana Mackenzie.
Our dog of 15 years, Bertram Wilberforce Woofster Mackenzie III, aka Willie.
The Last of the Mohicans, Pixel, 19 years old and sleeping snugly in the closet with my old Bernina.
Chutney and Maikai, our two kitty friends of 18 years, to whom we bid a furry farewell this year.
My hands. I was thinking about this after the quilt show in Sacramento last weekend. Sometimes ladies come into my booth, look around, and say, “I used to appliqué but my hands don’t work any more.” That’s a sadness to me. So I’m thankful that I have my hands. Not many people know this, but I’m what I call a ‘closet arthritic.’ Two major bouts earlier in my life stiffened my joints and crimped up my toes but, very thankfully, spared my hands. I can appliqué.
The above photo is a staging shot that I sent to Martingale for their reference in creating an illustration. Here’s the corresponding figure from Easy Appliqué Blocks, showing how I pinch the turning allowance under ahead of my stitching.
Those are the really big things. Happy Thanksgiving to you and yours.
Until next time,
Kay
By Kay Mackenzie
May
6
A journey to a book ~ Part 22
Filed Under A journey to a book | 1 Comment
Back on March 9, when I brought this article series up to the time that
Easy Appliqué Blocks went to press last November, I promised I would write a little more about stuff that happens after that.
A lot happens. An author’s work is never done. Fortunately, this is happy work!
Since the book went to press, I’ve:
Downloaded cover images and back-cover copy from the Martingale website.
Designed and ordered postcards.
Sent postcards to contacts at distributors, catalogs, magazines, and quilt shops, plus friends, family, and the Martingale staff.
Studied Martingale’s Author Promotional Handbook.
Created a list of my Favorite Tools & Notions, available for download at Quilt Puppy or Martingale.
Created a separate list of my Favorite Tools & Notions just for quilt shops, with distributor stock numbers included… available for download at Quilt Puppy.
Updated my website.
Pitched to Martingale that we could make the Table of Contents, Introduction, and How to Use the CD available as a download — they thought it was a good idea too, and it’s available at Quilt Puppy or Martingale.
Organized and conducted a blog book tour.
Written interview answers for a couple stops on the tour.
Signed a bunch of Martingale bookplates and sent them out to friend quilt shops.
Purchased a MacBook laptop so I can demo the book’s CD.
Made travel plans for Spring Quilt Market in Pittsburgh, May 15-17, 2009. (More info below)*
Been given the green light to do a Schoolhouse presentation at Market.
Written a short blurb for the Schoolhouse brochure.
Written copy for the Schoolhouse flier that’s handed out to attendees.
Put together packaging for the Schoolhouse handouts… Kay’s Favorite Tools & Notions, flier, postcard, and chocolate (that never hurts) in a white paper bag with a cute sticker.
Worked on my Schoolhouse presentation.
Gotten the green light for a book signing at the Checker Distributors booth.
Edited copy for the Checker handout.
Started an Amazon Connect blog… you can see it on the book’s detail page.
Stitched up another Scottie quilt (Martingale is borrowing the original for awhile).
And that’s not even everything! It’s just the major identifiable things. So, as you can see, a book needs a lot of support even after the production phase is done. Is this interesting to read about? Had you thought of this type of thing?
*Now here’s a little explanation here if you’re not familiar with the model of International Quilt Market.
This huge quilting-industry trade show happens twice a year. In the fall it’s always in Houston, and in the spring it travels. The attendees are largely shop owners, and the exhibitors are companies that create books, patterns, tools, notions, fabrics, etc. for quilt shops. The day before the show opens on the floor, there’s a day of breakout sessions for shop owners called “Schoolhouse.” These sessions are short presentations intended to introduce shop owners to new and interesting books and products.
Spring Market 2008 was in Portland, and I attended. At that time I already had the book contract and was working on the editing process with Robin. I attended a bunch of Schoolhouse sessions to find out what they were all about, and by the time I was ready to go home my head was brimming with ideas of what I would say to shop owners about Easy Appliqué Blocks if I had the chance. All the way home on the plane I wrote notes, and when I was done I had the whole outline for a Spring 2009 Schoolhouse presentation! Now, a year later, it’s almost time… wish me luck!
Until next time,
Kay
Quilt Puppy Publications & Designs
May
1
Four Roses
Filed Under Books, Fusible web, Machine appliqué, Patterns, Raw edge | 1 Comment
I’m not one that’s at all talented at the arty photography, don’t ya know. But I may have taken my first arty picture, by accident.
This is Four Roses, a wall quilt that I made using one of the designs from Easy Appliqué Blocks after the book went to print.
I followed all that good advice about taking the photo outdoors in the shade, taping it up on my sliding-glass door and taking the photo whilst standing outside on the patio. Here’s what emerged… not only does the quilt look like it’s floating in space, there’s a really cool double exposure effect of the patio being reflected in the glass, plus, you can see inside the house a little bit too! If you look closely you’ll see cat Pixel snoozing on the sofa.
This quilt was machine appliquéd using fusible web and a small machine blanket stitch.
Until next time,
Kay
Quilt Puppy Publications & Designs
Mar
20
Book-A-Round starts next week
Filed Under Book-A-Round, Books, Designers | Comments Off on Book-A-Round starts next week
Starting next Friday, we’re going on a virtual book tour! No ticket required… we’re zooming through the blogosphere to tour ten blogs in ten days from the comfort of your own home. Don’t dress up… these tour stops are suitable for pajama attire!
The first day of the tour is Friday, March 27. Start here and I’ll send you off to the Easy Appliqué Blocks launch party! Maria Peagler is throwing the party and everyone’s invited! Loads of fun things at the party, and we’ll give away a copy of the book, so don’t miss it.
Come back here every day through April 5 and I’ll shoot you through cyberspace to the next stop on the tour. We’re traveling from the southern U.S. up the east coast and across Canada to Alaska, down the west coast, and ending up our tour in the Heartland. Check out my Book-A-Round page for more information and a really cool Google map.
Each one of these quilty blogs is fantastic to visit, and there will be chances for a prize at each stop, so strap yourself in for a fantastic tour!
See you then!
Kay
Quilt Puppy Publications & Designs
Dec
1
A journey to a book ~ Part 8
Filed Under A journey to a book | 2 Comments
Being the eighth in a series of posts about a book proposal, from concept to print.
_________________________________
Before I get started on the next installment, I have to post the cover! I just received information on how to get it from the Martingale website and I am so excited!!! I absolutely love it.
_________________________________
Now back to the saga…
December 2007 through February 2008
A manuscript doesn’t look like a book.
When I make my own books I work in Adobe InDesign, where I write and lay out at the same time. It’s a visual, intuitive way to work, and I can see things take shape as I go.
What I’m working on now is a long Word document with no illustrations, no photos, just a bunch of coding where the illustrations and photos are going to be. It’s hard to picture the end result. I mutter to myself, “This is the way it’s done,” and press on.
The author guidelines warn that it may be easier to number the illustrations after you’ve finished the manuscript. I try, but I fail. By the time I’m done I think I’ve revised the numbering about eight times. I’m poring over everything in my usual attention-to-detail (it’s a curse) over-achiever manner to make sure that the illustrations are in the right order, they’re numbered correctly, and coded into the manuscript the right way. And then there’s ditto for the separate photo list. Of course my book concept has to be a little “different” than most quilting books so the guidelines don’t cover my scenario perfectly. The author liaison at Martingale is an angel as she fields questions for me and quickly lets me know the answers.
For the illustration list (and remember, they only want print-outs), I created an InDesign file and plunked in all of the Illustrator block-pattern thumbnails (which are considered illustrations for coding purposes) plus all of the instructional illustrations, numbered and in order, so I could print them out to send with the manuscript. On a few of the illustrations I balked, because I am no good at drawing body parts. I asked whether I could request photos for that section. The answer came back that illustrations are better because they’re more flexible if changes are needed during production. Okay. Where hands are involved I staged the shots and sent photos instead, pleading help from the in-house illustration staff.
I created another file for the photo list, using my crummy home shots of the stitched blocks as placeholders. (Take photos of all your stuff before you send it in. Remember, Martingale has my blocks, so it’s a good thing I had the presence of mind to photograph each one before they went in with the submission.)
I plugged away at the text, pulling my notes for freezer-paper-on-top and back-basting hand appliqué into the manuscript and fleshing them out. For raw-edge fusible-web machine appliqué, I started from scratch on an overview. I also needed to pen an author bio and start thinking about a photo of me. Gack. (Okay, it turned out fine, see Post #1 in the series.)
After it was all finished to the best of my ability, I sent everything in. I’m done done done! (Yeah right.) The next step is to be assigned a technical editor and wait to hear from that person. Stay tuned!
Until next time,
Kay
Quilt Puppy Publications & Designs
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