Jun

5

Winner, new on the website, fusible web

Filed Under Articles, Fusible web, Magazines, Raw edge | 2 Comments

Random.org has declared that the winner of Annie Smith’s Ultimate Appliqué Guidebook is… Barbara! Congratulations! Barbara reports that she is a beginner and has been enjoying the blog for introducing her to different ideas and artists. She says, “I wish I had discovered appliqué earlier in life. It is so relaxing.” Barbara, I know you will enjoy the book.

I wanted to let you know that I just added a couple of items to my website. First off, if you haven’t had a chance to get Quiltmaker’s 100 Blocks, Volume 3, I have it available now on my Patterns page.

And, I’ve created special intro packs of SoftFuse paper-backed fusible web, so that you can try out the product. This is my favorite kind of fusible web for raw-edge fused machine appliqué. The intro packs are on the Kits & Notions page.

Which leads me back to the recent Call for Topics, in which Paulette C. asked:

“I would like to see a review of the different fusibles available for appliqué. On the blogs many quilters have given reasons why they have their favorites. But a real time review of the 3 major brands with pros and cons and photo examples would be interesting.”

In the November 2010 issue of American Quilter, fuser extraordinaire Frieda Anderson presented an article called Choosing and Using Fusible Web. If you can get your hands on this issue, you will find a comprehensive comparison of 11 different types of fusibles in varying weights.

Frieda does share on her blog, in this post called Fusing that her favorite is Wonder Under regular weight. Be sure to go read her post, and while you’re there on her blog, type “fusible” or some variant into the search box and you will come up a bunch of other good information. Note: I believe that Frieda, like other members of the Chicago School of Fusing, pre-fuses large pieces of fabric, whereas I use fusible web to make templates for individual shapes.

A few years ago I embarked on a whole determined expedition to try out every kind of paper-backed fusible I could get my hands on. I tried them all. Some of the reasons I was not satisfied included the following:

• Too thick, like gauze
• Didn’t work as advertised (supposed to stick without fusing, didn’t)
• Too many types within brand, some on a bolt, some in a package, similar names, way confusing
• Separated from the backing paper before I had a chance to use it

I finally zeroed in on Wonder Under #805, regular weight. It became my go-to fusible web. Back in 2009 I wrote a blog post giving my tips for fusible web management.

Continuing my fusible web saga, at some point after that I started having trouble with the Wonder Under. After I fused it onto the back of my appliqué fabrics, the backing paper would not come off. I had to wait until the following day to peel the paper off and continue with my project.

At a quilt show, I bought a pack of SoftFuse from the Shades Textiles booth. What a relief! It’s very very lightweight, it doesn’t separate from the paper, it fuses to the fabric like lightning, and the paper comes off immediately! So that’s why it’s my current favorite. It acts the way this type of product is supposed to act! What a concept.

Here are some other articles that you may find of interest:

Hand Vs. Machine Appliqué: A Timed Experiment

Ink Jet Printable Fusible Web

Trying a New Fusible Web

Hope this helps!
Until next time,
Kay
By Kay Mackenzie

Jan

10

Fusible web management

Filed Under Fusible web, Machine appliqué, Photo tutorials, Product demo, Raw edge | 27 Comments

Today I’d like to pass along a few little tips about how to wrangle your fusible web… the kind that comes on a bolt.

My web of choice for raw-edge fusible machine appliqué is Pellon’s Wonder-Under, regular weight. Your mileage may vary. I’ve kind-of got it down now, but it was not always so. When it comes to paper-backed fusible web, I suffer from separation anxiety. As in, the web separates from the paper backing before I get a chance to use it. Arggh!

In the past, I’ve tried passing an iron over it on top of a teflon appliqué pressing sheet in an attempt to stick it back to the paper… what a mess. Now I just chuck it when I find that’s it separated.

Here’s what I do now to alleviate the separation issue.

First of all, don’t let the clerks in the store roll it up for you. You know what happens, say, if you place one towel on top of another and roll them up together? The top one ooches along and ends up sticking out farther than the bottom one by the time you get there. I don’t know which law of physics makes this so, but the same thing happens with fusible web and its paper backing. Rolling the product encourages separation. Just ask them to fold it loosely for you.

Then, as soon as you get home, cut it into squares. This is information that I got from my pal Pam Crooks, who got it from the estimable Sue Nickels, machine appliquér extraordinaire. I keep a separate rotary cutter for cutting paper and this purpose. The width of the product is 17″, so if you cut it into 8 1/2″ squares that’s just right, and the squares fit perfectly into a gallon-size zippy bag.

fusible1.gifNot only are they flat and happy and much easier to work with than a big floppy hunk, keeping the squares in a bag prevents them from drying out, another culprit in the separation issue.

fusible2.gif
I keep scraps in an old box lid that fits into the zippy bag when not in use.

As I work on a pattern I start with the smaller pieces and only start a new square when there’s a motif that’s bigger than my biggest scrap of fusible. It’s soooo nice to reach into that bag and pull out a nice fresh, flat sheet in such a manageable size.

Here’s another tip for working with paper-backed fusible web: trace the smaller pieces inside the larger pieces. I learned from Sue Nickels in her book Machine Applique: A Sampler of Techniques to cut out the center of the fusible-web templates. This strategy reduces stiffness in the quilt, and it can save product too if you use that cut-out area to make another template.

flower-basket.gifLet’s say we’re starting with a pattern like this.

fusible3.gif
The leaves will fit inside the basket with enough room to spare to cut everything out roughly.

While you’re at it, go ahead and trace the flower center inside the flower.

fusible5.gif

fusible4.gifUse a circle template tool to trace nice round circles. Use a size that is a little bit bigger than the circle. (When you trace, the circle shrinks.)

The arrow is my attempt at telestration in Photoshop.

Last tip for working with fusible web: the smallest, itty-bitty pieces like flower centers are too small to cut the center out of. Then it can be hard to get the paper backing started to peel it off when you’re ready to fuse. I tried the ‘scratch it with a pin’ technique but somehow was never skilled enough to do it without fraying a thread or two. My new favorite strategy is that, once the motif is rough-cut, I peel up one side of the paper, going into the motif area a little bit.

fusible6.gifThen I lay the paper back down and cut out the motif on the drawn line. When I’m ready to take the backing off, part of it has already been started. In this case, separation is good. :)

Okay, that is my most sage advice for fusible web management. I hope it proves to be of use to you.

Until next time,
Kay
Quilt Puppy Publications & Designs

Dec

13

You’ve never seen it all

Filed Under Borders, Embellishment, Fusible web, Machine appliqué, Raw edge, Threads | Comments Off on You’ve never seen it all

Mistress of machines Janet showed me a border she’d made for a round robin. I couldn’t believe it. Yet another edge treatment for fusible appliqué!

At first I thought Janet had used the machine embroidery technique that I’d seen on her pieces in the past. I asked her to describe how she’d done this beautiful stitching. Here’s what she told me.

Usually, when machine embroidering, Janet hoops the fabric. This time, since the oak leaves and acorns were fused onto the background fabric, there was enough stability so that she could skip the hoop. Instead of stitching back and forth a little at a time to simulate three strands of embroidery floss, Janet did a free-motion stitch traveling in one direction all the time, and went around each motif two or three times close to the edges. The veins on the leaves were done the same way. She used variegated Star cotton thread from Coats & Clark, which is one of her favorite threads for her machine work.


Here’s the project so far, with just the center and Janet’s fabulous appliquéd border. Janet told me I could put this picture up, but shh! don’t tell the person whose center that is, or we’ll get busted. :)

Until next time,
Kay