Hello everyone! Back safe and sound from SoCal. I’m excited… this post has been cooking for over a year now! I met Australian quilter and stitcher extraordinaire Helen Stubbings at Market a couple of times, and we finally got it together for her to do a guest post on her method of appliqué! You are going to love this! Take it away Helen!

Glue stick Applique
By Helen Stubbings of Hugs ‘n Kisses

This easy or some would say ‘cheats’ method of needleturn applique takes the scare factor out of needleturn. Most of the work is in the preparation, leaving the actual stitching as the easy bit.

The method uses two products – Hugs ‘n Kisses Applique Paper and a glue pen – I use the Sewline Water-Soluble Glue Pen.

Method:
Place a sheet of applique paper with the shiny (glue) side down on top of your template or design printed sheet. It is semitransparent so you can easily see the design through the paper. Trace each design or template shape onto the paper – I like to use a Sewline Ceramic pencil which glides on nicely. Note: if your applique design is directional you need to reverse it for this method.


Cut out each shape carefully on the traced lines. This is the important part – be as careful as possible as this determines your final shape.


Fuse each shape to the wrong side of your chosen fabrics. You need to leave a large ¼” between shapes for seam allowances.


If you wish, you can fussy-cut your fabrics by positioning the shapes to suit.

Cut out each shape leaving an approximate 1/8” seam allowance.


Using the glue pen, run a line of glue along the edge of the paper template –- it only needs to be light and right on the edge.


Using your thumb and forefinger, gently press over the seam allowance onto the glue. You want to fold the fabric on the edge of the paper –- but you don’t want to fold the paper as well, it doesn’t take too long to get the feel of the edge of the paper and where to fold to.


If the end of your applique piece is going to be under another piece in the final design you do not need to glue and fold these edges over.

You do not need to clip into outer curves. Our seam allowance is small and often on the bias so clipping is not necessary. Just gently fold/pleat around curves a small step at a time so you do not get points. If you are having trouble eliminating points try trimming back the seam allowance a little further.





If you have tails like on this leaf, just leave those and they will be dealt with later.


Your prepared shape!


You will need to clip on inner curves – but not as much as you may be used to. Just clip where you absolutely need to to enable the seam allowances to fold in nicely. Inner points need to be clipped to the edge of the paper.


Continue glueing until all shapes are prepared.


Position your background fabric over the design sheet. Use a light box if you cannot easily see through the fabric.


Position and layer all applique pieces following the design you can see underneath. Use the glue pen or for larger projects Roxanne’s Glue baste it to secure all pieces at once. Just layer them up until the complete block is ready for stitching.



Now you can stitch all pieces down as you would for your normal applique method. I use Hugs ‘n Kisses applique needles and Superior Bottom Line threads but you can use your thread of choice. When stitching down those tails that are showing, stitch to the point and do a double stitch to hold, tuck under the tail with the tip of your needle and continue in the new direction.

No need to remove the papers – when it is washed they will just dissolve and soften into safe fibres in your quilt project.

All of our Hugs ‘n Kisses applique patterns include the full design sheet along with reversed where necessary templates and applique shapes for tracing. We are considering including pre-printed Applique Paper in our patterns in the future –- so you can just cut out, glue and stitch!

Happy appliquéing!
Hugs,
Helen

Every couple of years, my small quilt group the Nite Needlers collaborates on a project that we donate as a fundraiser to our guild or another worthy cause. This year we hit on a red-and-white basket quilt.

I drafted some basic traditional-looking baskets in my trusty Illustrator program and handed them out with the finished dimensions to all the gals. We’re each making five blocks, and our ground rules are that we’re using turkey-reddish fabrics for the baskets and white-to-cream-with-red for the background. Sticking to the basic basket shape, we can do whatever we like as far as sub-piecing the body, adding appliqué, etc.

OF COURSE I had to do some appliqué. Here’s what I came up with.

Okay imagine for now that there’s some red print on the white.

I had my plan. Now for the execution part. I was presented with some conundrums.

IMO, raw-edge appliqué is for decorative purposes, like wall quilts. This project is going to be bed-sized, so I really felt that my appliqué should be turned-edge. “Hand appliqué!” you might be saying. As well you might, knowing me.

But there were other factors to consider. I knew that Janet, who never does anything by hand being the mistress of the machine that she is, would make her handles using turned-edge machine appliqué. Plus, I wanted to delineate the edges of the appliqué motifs to distinguish between the flower and the leaves a little better, and the machine blanket stitch in the dark red color would work well for that.

So there it was. Turned-edge appliqué with a machine blanket stitch. Hmm….

I reached deep into my appliqué bag of tricks, and even ended up inventing a new trick that I threw back in with the rest when I was done!

First, the handles. I used Holly Mabutas’ glue-stick turned-edge preparation method, where the turning allowance is glued back onto itself using a freezer-paper template on the front as a guide. All went well.

Then the flowers. Another conundrum, factor, wrinkle, challenge, or whatever you consider it to be. These were white flowers on a red background. Can you say “shadow-through?” I wanted to line them.

Thinking cap, thinking cap. I could have used faced appliqué, but I was in the glue-stick groove. Got it! A hybrid fusing/glue-stick method!

I hauled out scraps of my favorite paper-backed fusible web SoftFuse, and made some templates with the centers cut out.

I fused them to some white scrap fabric and cut them out actual size.

I removed the paper backing and fused them onto the back of the red-and-white print for the flowers, and cut them out leaving a small turning allowance.

Back to Holly’s method, except this time I glued the turning allowance over onto the white lining, using it as my template. It worked!

Then I turned to Karen Kay Buckley’s Perfect Circles™ templates to make turned-edge flower centers.

Stick them all together and you’ve got a motif ready to pop onto a basket and stitch.

Here are my five baskets, ready to turn in at the next Nite Needlers meeting, and another thing off my list! Thanks Holly and Karen Kay!

Until next time,
Kay
By Kay Mackenzie

In response to last year’s Call for Topics, Donna A. wrote:

I need to know everything! I have a wonderful teacher but she lives a long ways from me. I pretty much just drink in all the information I can get my hands on. Make more books and more patterns — there can never be enough!

Donna, I’m workin’ on it . :)

Donna also wrote that she need to know the pros and cons of glue basting.

Personally I don’t use glue or starch (with the exception of a dab of glue stick in certain specialty situations) but I know that many appliquérs couldn’t live without glueing the edges of their pieces over. It all depends on what you prefer. Myself I’m in the camp of less prep and let’s get to the stitching, but then again needle-turn is like breathing for me. Other appliquérs do not enjoy the edge-turning process and would rather have it done in advance. It’s all good! Whatever gives you the satisfaction in the process and the happiness with the result, that’s what you should do.

Here are the pros and cons of glue from my personal perspective.

PROS

• It’s a prepared-edge method, which means you don’t have to turn the edge while stitching. You just get to stitch away.

CONS

• You get glue on your fingers. Ew.
• You have glue in your project.
• It’s more prep time before getting to the stitching.
• You have to make templates.

If you know of more pros and cons, please chime in!

glue-stick

Here’s a roundup of glue-related posts from the blog. (I got this by clicking on “Glue stick” in the Category list.) I’d pay particular attention to Holly’s method and Laurel’s book.

Glue stick.

Until next time,
Kay
By Kay Mackenzie

In other news, Anne Sutton posted about an upcoming on-line sewing competition show called Sliced. Ooooh that has got to be good. I can’t wait!

Reminder: I’ll be at the upcoming Pajaro Valley Quilt Association’s annual show, February 25-26. My booth is #30, the first one on the right as you come into the main building, aka the Crosetti building. Our featured speaker is amazing pictorial quilt artist Linda Schmidt. There’s a fashion show and a quilt auction, a bed turning, door prizes, guild flea market, children’s activities, and a whole lot of fun at our show.