Feb
10
Superior report
Filed Under Blanket stitch, Hand appliqué, Machine appliqué, Product demo, Threads | 10 Comments
Yesterday I had the chance to try out the Superior windfall.
This is an old block originally called Wandering Foot. That name was thought to bring on the wandering foot to youths who slept under it, so a new name was given to it… Turkey Tracks. Much more attractive, don’t you think? :) It’s also called Iris Leaf when it’s green on white.
Fused and unstitched.
After some investigation on the Superior website, I discovered that the Holy SuperBobs are Bottom Line, a line of thread developed by Libby Lehman. It’s 60-weight polyester. I perused the rainbow and picked out the color that matched the best.
Wow, you can hardly make it out! It really is whisper-fine.
I fired up my Bernina and adjusted the blanket stitch down a few ticks, reasoning that a very fine thread should be given a pretty small stitch. A few minutes later, and voila! The block was stitched, and looked great! My machine liked the thread, which I used in both the top and the bottom, and Mother Superior says it’s not linty like cotton.
How’s that for blending in? From a short distance you can’t see the stitching at all. This thread might be a nice choice when you really want to mimic hand appliqué while still using your machine, or when using the turned-edge blind-hem stitch method of machine appliqué (which BTW I am not adept at).
One thing I did note is that the edges of the appliqués feel a little “crispy” compared to when I use cotton thread.
On to MasterPiece. MasterPiece thread is 2-ply 50-weight cotton, favored by the Piece o’ Cake gals and by Alex Anderson.
A simple forget-me-not.
Fused and unstitched.
My choices from the rainbow.
I adjusted the blanket stitch to my usual setting, just a couple ticks down in width and length. Away I went!
I like it, my machine likes it. I wound a bobbin for the green, but for the dabs of yellow and blue I used bobbins I already had wound with DMC. Worked great! They really are equivalent in weight so that’s a plus for me that I can mix and match at this stage of evolution in my thread stash.
Now on to hand appliqué. I just happened to have a block in the queue that I needed to stitch up twice, to use as an example in the new book I’m working on for Martingale.
Here are the threads I chose.
Poly on the left and cotton on the right.
I started with the polyester first. I was really excited about trying out this thread for hand appliqué. In the past, when I’ve tried other brands of poly thread, it went around in circles, kinked up, and raveled at the end. I’m delighted to report that Bottom Line stays straight. It sinks right into the turned edge of the appliqué and hides itself really well, and I was not plagued with knots or kinks. Yay! The one thing I did notice is that since it’s more slippery than cotton thread, my thread tail kept shortening up on me and I lost the thread out of the needle a couple times. I guess this just takes getting used to coming from the fabric of our lives.
I was on a roll watching the chocolate challenges on Food Network, so I plunged on ahead to the second version, using MasterPiece cotton. Excellent on all counts.
Can you tell the difference in the completed piece? Neither can I, so I’ve been keeping sticky notes on them :).
These pink dogwood blocks may seem kinda pale, and that’s on purpose. I’m going to embroider around the edges of one of them to illustrate how you can better define the edges of your appliqués when you want to use low-contrast fabrics.
Well, thanks guys! I got a lot done yesterday!
Chime in! I’d like to hear from others who use Bottom Line or MasterPiece. How do you use it, why do you like it?
Until next time,
Kay
By Kay Mackenzie
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